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INTERNATIONAL AFFIRMATION OF YOUNG TALENTS 

The world today is really united and indivisible. Although burdened with constant wars, hunger and violence, divided in rich and poor, harassed by mutual conflicts and animosities, manifold ties connect the people of this planet. Culture and art are one of those noble and unbreakable ties. The role of the young people in establishing and sustaining such connections is immense. They are not in the last burdened by race, national or confessional divisions. They are connected by a different tie-the love towards art, in this case, towards music.

This connections and contacts are particularly important and significant for those young people who have chosen music as their vocation. It is a generally known fact that music does not recognize borders and it is a universal language which those who are in it professionally, use to communicate and understand each other. Thence the interest and the desire among the young musicians from various countries to come closer meet and associate with each other. However, these contacts have another, even more important dimension. Young musicians come from different upbringing, from a larger or modest musical tradition, belong to different schools, get education guided by different principles and differ in their professional standards and talent. That is why the desire of the young musicians for performances and visits to other countries, beside being a result of the need to get recognition and presentation of their musical achievements, also leads to possibilities to learn about the achievements of their colleagues, to interest to learn something new and more and to measure their own values with other, perhaps even stricter criteria. That is why the society, the professional musical associations and the other factors which are obliged and authorized to decide upon this issue should not regret their efforts and financial support to help the young musicians perform in other countries-have concerts, participate in seminars, musical camps, international competitions, attend specialization courses and other events. The usefulness of such policy, which consists of support and material aid in the formation of the young musical artist-the future represent of our musical culture-would soon have its results and justify the financial investments.

In the short article I would like to pay more attention to a different type of musical companionship, not individual, but collective, through joint participation and playing in larger ensembles-chamber and philharmonic orchestras. I would like to point to several examples and experiences. Above all, i would like to conclude that the participation in such orchestra ensembles of young musicians from different countries has a large number of positive aspects:

  • the musical activity and practicing on the instrument continues over the summer (usually, this musical camps and gatherings happen in the summer during the summer vacations), thus there is no interruption in the continuity of work;
  • young musicians, when playing in larger orchestra ensembles get acquainted with more difficult and complicated works in the orchestra literature which, in most cases, they have no opportunity to perform and their schools colleges or universities;
  • While preparing a certain program, they work under the artistic guidance of experienced teachers, pedagogues and famous conductors and thus acquiring various approaches to the interpretation and characteristics of style of certain compositions. This experience will be very useful in their future work, regardless of the way they are going to perform after the completion of their education, as soloists on the stage or as orchestra musicians;
  • by participating in a larger number of performances (often one prepared program is performed in several towns or countries before various audience), young orchestra members gain orchestra experience, routine and stage concentration;
  • while visiting various towns or countries, the young musicians have the opportunity to visit many cultural and historical monuments, to learn about the history and the cultural values of various nations, to attend to opera performances or concerts of distinguished artists from throughout the world and all that contributes to the enrichment and broadening of their intellectual and spiritual horizons;
  • Finally, through these joint projects, the young people socialize among themselves, exchange experiences, make friends, agree on mutual exchange and visits and establish connections that are sustained and last long.

All this shows the extent to which this kind of joint projects helps young musicians from throughout the world gain recognition.

I would also like to list several examples of such cooperation in this area in the activities of the Faculty of Musical Art and the activities of the Jeunesses Musicales Macedonia.

In the summer of 1995, a group of students from the Faculty for Musical Art was invited by Musical Academy in Altenburg, Germany to take part in the rehearsing and performing of the international philharmonic orchestra. The initiators of this project were pleased with the quality and the work of our students, so this cooperation continued in the following years and the number of the participants invited was extended.

In the last several years, the Faculty for Musical Art and its orchestra realized several significant projects and for that, purpose invited many young musicians from the European countries and the USA. Due to the join efforts of all participants, several capital works from the world symphony literature such as Stravinsky’s ‘Le sacre du printemps’, Hindemith’s ‘Matisse, the painter’, Wagner’s evening etc. were performed at a high professional level. All participants and guests left with the best impressions and memories of this stay and spread in their environs their newly acquired knowledge about Macedonia, its people, history and culture.

The musical youth of Macedonia has undoubtedly had a great and significant role in helping our young musicians get international recognition through participation in various European and world orchestras. In the last 25 years, more than 40 musicians from our country, via the Musical Youth of Macedonia, took part in several international youth orchestras and musical camps in Poland, USA, Canada, Britain, Switzerland, Germany, Sweden, Hungary and Croatia. Their qualities and knowledge secured them high places in the grouping of the orchestras. Their work with famous and experienced conductors enriched experience and knowledge in the area of orchestral playing. They have leading positions in the orchestras of the Macedonian Philharmonic Orchestra, Opera and Macedonian Radio and Television, where they have transferred their experience and knowledge. Many of them perform as soloists in our country and abroad. The Chamber Orchestra of the Musical Youth of Macedonia has a significant place in the musical life of our country. This ensemble is celebrating its 15th anniversary this year. Its activities were mostly concentrated in the summer period as a part of the Summer Musical Camp organized by the Musical Youth of Macedonia. This orchestra has grown into a serious artistic body, able to perform successfully harder and more complicated works from baroque, classical, romantic and contemporary musical literature as well as works for Macedonian composers. Their performances on Ohrid Summer Festival, Skopje Summer Festival, in several towns in Macedonia and abroad (Hungary) brought them renown and respect as an ensemble whose artistic results make them competitive with similar professional performing bodies. In the last several years, young conductors lead the orchestra and it worked with famous soloists from our country and abroad. This resulted with concerts highs praised by the professional critics. The current thing in the work of this ensemble is its transformation into an international orchestra. Large number of musicians, mostly from the neighboring countries-Albania, Bulgaria, the former Yugoslav republics and Russia-have gladly accepted the invitation to participate in the work of the orchestra. In this case also, they have an opportunity to get recognition of their artistic results and the achievements of their countries in the musical field. This, in the best possible way, the Musical Youth of Macedonia fulfills its motto-to create and nurse firm and permanent links among the youth of the world through musical teamwork.

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